Komaram Puli Review
Movie:Komaram Puli
Rating:2.75/5
Cast : Pawan Kalyan, Nikesha Patel, Manoj Bajpai, Saranya, Nazar, Bhanuchander, S.J.Surya
Music : A.R.Rahman
Cinematography : Binod Pradhan
Banner : Kanaka Ratna Movies
Producer : Singanamala Ramesh Babu
Director : S.J.Surya
Release Date : 10 September 2010
Story : 1985 – Saranya is wife of a police officer who has gone missing and when she questions another police officer, Charan Raj , she is kicked and tortured by Al Salim(Manoj Bajpai).
When salim’s men try to kill her, she escape and reaches a temple of lord Ayyappa.
When she questions god about injustice being done to her, reply comes in the form of her pregnancy being revealed to her.
She spends time at that temple till she is ready to give birth to her child.
These scenes are shot with first song in movie నమ్మకమీయరా స్వామీ .. in background.
Meanwhile Salim’s men chase her down and try to kill her again.
She escapes into nearby jungle but falls into waterstream where she gives birth to her kid underwater.
Salim listens tiger’s roar when kid is born and leaves that place in hurry.
2010 – Indian prime minister Samarasimha Rao(Girisha Karnad) who is touring thailand is under terrorist attack but is saved by young and dynamic police officer Komaram Puli(Pawan Kalyan).
When he is presented by president award for bravery, Pulispeaks about injustice done by police to common man and requests a special team to police the police in this country.
Prime Minister accepts his request and thus PULI TEAM is formed which works with a phone number which can be called anytime by anyone and report injustice done to him by police.
Puli team reaches to the spot and settles the matter.
In his journey Puli gets a call from a mental hospital where an old lady(aalapati lakshmi) who complaints that she is not actually mad but pretending so to see her missing son who was also a police officer.
Puli starts enquiry about her missing son Hussain(S.J.Suryah) and starts with ACP(Nazar).
Nazar requests puli to withdraw from this case as it is linked to many terrorist groups operated by Al Salim.
When Puli enquires Salim about hussain’s case, salim asks him to come back with evidence only.
Meanwhile Madhumita(Nikesha Patel) tries to grab Puli’s attention with her tricks and dances for 2 songs మహమ్మహ మాయే.. and అమ్మా తల్లే.. in quick succession.
In a wrong parking case Puli ceases Salim’s brand new Benz car and asks him to pay fine and collect car himself.
Salim takes this as prestige issue and doesn’t pay fine.
When Puli team enquire about car registration details, they get clues about Salim’s links with terrorist groups.
One terrorist Nixon was shot by Puli in first fight but is later known that he’s hiding in india with fake identity.
This hussain link shakes Salim’s business empire.
Puli gives back Salim’s car but challenges that he will come back with complete evidence..
Second half starts with Puli team tracing out Nixon’s girl friend(Shriya) who is a dancer in a casino.
Fourth song దోచేయ్.. is picturised on Shriya.
When she is enquired about nixon, she says that she loved in past without knowing his identity and doesnt know anything else.
Madhumita makes Puli marry her by playing a trick on him and later tries to seduce him.
Fifth song పవర్ స్టార్.. is a duet on both.
Puli team gets a call from Shriya about an important clue in this case and before puli reaches there she’s killed.
His one more witness is also killed in interrogation cell.
ACP Nazar tries to reveal details about Nixon but is also killed.
When Puli gets to know the real identity of Nixon, he’s shocked.
Nixon kidnaps Puli’s mother and wife and Salim asks him to come and surrender.
Who is Nixon ? How his identity is revealed ? How Puli manages to reveal Al Salim’s true identity along with evidences about his terrorist activities to everyone is climax of this movie.
Last song మారాలంటే లోకం.. is used as background score throughout the movie including climax.
Analysis : This is not a regular Pawan Kalyan’s movie where you can expect comedy, his style of cute romance, and action sequences.
Pawan’s role is more aggressive with heavy dialogues and supernatual action scenes.
Heroine Nikesha Patel looks glamorous but her role is limited only to seducing the hero and dancing in duets.
Director tried to repeat his నడుము magic as in Khushi but fails here.
Comedy track by Ali and co doesn’t bring much response from crowds.
Manoj Bajpai’s action in few scenes looked repititive.
Action sequences are well shot and edited.
Background score by A.R.Rahman is excellent and is of international standards.
Cinematography by Binod Pradhan is good.
Too many ramp shots and effects in editing doesn’t look impressive and director fails to sustain the tempo in screenplay created after Pawan Kalyan’s introduction fight and speech.
S.J.Suryah dilutes the seriousness and impact of Pawan’s character by inserting attempted comedy and romance by heroine.
Pawan excells with his look, mannerisms, dialogue delivery.
Overall an action packed 3 hours for hardcore megafans..
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